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The Future of AI (lemmy.ml)

submitted 4 months ago by [email protected] to c/[email protected]

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[–] [email protected] 0 points 4 months ago* (last edited 4 months ago) (12 children)

Protecting creative jobs is extremely important, full stop. AI generation is a destabilizing development, I don't want to see it locked up in walled gardens or thrown away though. What I hope to see is a new generation of artists pushing the boundaries with open source AI tools. Yeah a lot of that's going to be bespoke porn... What am I even saying...?

We're just apes with fancy tools afterall. The same things were said about photoshop and digital art. We'll be fine, just get stocked up with some brain bleach.

[–] [email protected] 0 points 4 months ago* (last edited 4 months ago) (11 children)

Every non artist who doesn’t know shit about any creative workflow always regurgitates this “it’s a tool that will empower artists” line. Every working artist who understands what they’re talking about says this will lead to the elimination of 90% of jobs and just leave one underpaid guy churning out stolen artwork at a breakneck pace.

[–] [email protected] -1 points 4 months ago (10 children)

Artists had the exact same reaction when photography was invented. Simply taking what artists say as gospel isn't any more rational because artists also have their own biases. Meanwhile, the problem with jobs doesn't come from the technology but from the capitalist system of relations. Maybe we shouldn't be structuring society in a way where people have to do work for the sake of doing work.

[–] [email protected] 0 points 4 months ago (1 children)

As the photographic industry was the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies, this universal infatuation bore not only the mark of a blindness, an imbecility, but had also the air of a vengeance. I do not believe, or at least I do not wish to believe, in the absolute success of such a brutish conspiracy, in which, as in all others, one finds both fools and knaves; but I am convinced that the ill-applied developments of photography, like all other purely material developments of progress, have contributed much to the impoverishment of the French artistic genius, which is already so scarce. It is nonetheless obvious that this industry, by invading the territories of art, has become art’s most mortal enemy, and that the confusion of their several functions prevents any of them from being properly fulfilled.

― Charles Baudelaire, On Photography, from The Salon of 1859

[–] [email protected] 0 points 4 months ago* (last edited 4 months ago) (1 children)

Similar things were also said about CG in general particularly in 90's and 2000's when it spreaded from a niche to places like big cinema. And speaking of cinema...

[–] [email protected] 0 points 4 months ago* (last edited 4 months ago) (1 children)

The rise of CG did eliminate jobs in the SFX area. Make up, costumes, set dec, stop motion animation, animatronics, etc. But whereas someone in animatronics can retrain to use CG, there’s nowhere for an artist being replaced by a neural learning program to go. The program produces a finished end product. There is no pipeline for it to fit into. I feel like pro A.I. people are deliberately obtuse about this.

[–] [email protected] -1 points 3 months ago

If you ever actually tried using these tools you'd realize that what you're saying is complete and utter nonsense. The workflows for generating stuff with AI tools are already getting very complex. This technology isn't magic, it's just a different way to produce art where the tool takes care of the mechanical aspects. A human is still very much needed to direct what's actually produced.

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