The most famous one ATM is probably "Baldur's Gate 3" which offers a wide variety of mechanics and stats to measure if an NPC member of the player's party is romantically interested in the player character. Two examples given in the talk I linked are the VNs "Monster Prom" or "First Bite".
I love this game (500 hours played), but I have to bring up a point of criticism...
One aspect which has not aged well IMHO is the "kindness coin" mechanic: The exchange of goods for the NPCs' friendship and/or affection. You give the NPCs stuff, then you give them more stuff, then some more on top, then you get a cut scene and then you get back to giving them stuff until you trigger the next one.
Yes, the requests on the blackboard and the occasional personal quest mix up things a little bit, but overall the mechanic remains the same and for me over the years this has cheapened the interaction with the NPCs for me somewhat: They are mostly transactional and predictable to the point where you can calculate their outcome.
You have to give character A so-and-so many objects X to romance them. It takes so-and-so many days to do that.
Sure, the "kindness coins" mechanic was industry standard at the time, but I wish there were more variety in regards to the interactions with the NPCs, because they are amazingly written and I wish there was more to do with them besides giving them stuff over and over again.
Considering that DA veteran David Gaider left ages ago, I do not have much hope left for the next DA game. BioWare may have hung on a little bit longer than other EA studios, but it looks like the notorious mismanagement by EA will get it too.
Well, there is the MetaCritic user score too. It currently sits at 1.4, so it should surprise nobody.
Tolkienesque fantasy has become the carbon copy of a carbon copy of a carbon copy ages ago...
And it becomes even more apparent when people consider that Tolkienesque fantasy tropes aren't even about "medieval Europe", they are about a particular English pseudo-medieval world. Fantasy doesn't do much exploring even beyond the English-speaking world.
Southern Europe (Italy, France, Spain,...) aren't even featured much. The landscape may allude to it, but then the same Northern European castles sit on the top of hills, occupied by the same kind of lords that you'd find in other parts of the game map.
And other parts of the medieval world do not fare much better: Everything around the Mediterranean is reduced to stereotypes or entirely replaced by some fantasy race. Every place outside of Europe/the Mediterranean fares even worse.
It has no depth, no knowledge of particular local traditions, it is not rooted in any stories, only recalls the same tired tropes that Tolkien established.
Even inside Europe and around the Mediterranean, the medieval world was very diverse. Every region had its own traditions, stories, clothing, customs and its own mythologies with their own particular kinds of monsters and creatures.
But you'd not know through most fantasy stories which - no matter the landscape they take place in - it always boils down to a band of adventurers walking into an inn, drinking a beer and paying it with gold coins, before they go off to kill some orcs in the name of some duke. Very little thought is spend on considering if it even makes sense that a place that is akin to - let's say - Southern France had any of these things.
When Tolkien wrote LOTR, he based most of it on ancient Germanic stories like "Beowulf", that there are uncountable other folktales and stories from all over the ancient world which could be chosen as the basis of a fantasy setting instead.
Yes and no. Like in Stardew Valley, technically you can romance every NPC in your party, but in practice you have to meet certain criteria to do so and those differ from character to character. Of course, it is possible to "game" that system.